“Second-Seeing Shakespeare”

by historian Peter Dawkins will be published as an eBook (ISBN: 9781098304195 – $9.99).


Available from BookBaby BookShop, Amazon, and other booksellers worldwide.

Instead, it is a double-truth showing a very different authorship, and the involvement of a philanthropic secret society dedicated to the enlightenment and good of all humanity.

Second-Seeing Shakespeare

Literary Concealments by Rodney Eagle


This essay I forgot had it digitized years ago, and not placed it anywhere other than the Biblio section under Eagle. I found out that an Oxfordian newsletter online had used the entire essay. Surprisingly there’s no mention of Devere so it may have registered in their minds that it was Good Research.

LITERARY CONCEALMENTS

SirBacon.org wishes to acknowledge the excellent Shakespeare -Bacon research from Barry Clarke. Check out and enjoy his pages here:


https://BarryIsPuzzled.wordpress.com

Barry has a PhD from Brunel University, UK on the thesis “A linguistic analysis of Francis Bacon’s contribution to three Shakespeare Plays : The Comedy of Errors, Love’s Labour’s Lost, and The Tempest.

His paper on the Virginia Company and The Tempest questioning Shakespeare’s access to the Strachey letter appeared in the Journal of Drama Studies (July 2011). A book chapter, “The Virginia Company’s role in The Tempest” examining Bacon’s connections to the play appears in Petar Penda, “The Whirlwind of Passion : New Critical Perspectives on William Shakespeare” (Cambridge Scholars Publishing, 2016).

Barry is the Author of “Francis Bacon’s Contribution to Shakespeare: A New Attribution Method (Routledge Studies in Shakespeare)“.

Bacon is Shakespeare


Mercy Seasons Justice: Eating and Equity in The Merchant of Venice A talk by Simon Miles to the Francis Bacon Society delivered on 1st March 2019. This presentation investigates the relationship between Sir Francis Bacon and The Merchant of Venice. It explores the influence on the play (and vice versa) of the contemporary legal conflict between common law and equity law, and how this relates to persistent tropes of dining and eating in the work. Simon Miles’ talk shows how a consideration of Francis Bacon’s contribution to the play illuminates the key themes of this Elizabethan drama, and sheds valuable light on its origins.