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A New Book by A. Phoenix

by A. Phoenix.


The Secret Links Between the Rosicrucian-Freemasonic Memoriae (1626) Containing Thirty-Two Verses Dedicated To Francis Bacon Our Shakespeare, The First Folio of the Shakespeare Works (1623), and the Stratford Monument

In 1623 Francis Bacon with his scriptorium or literary workshop housed at Gorhambury staffed by his good pens among them the poet George Herbert and the poet and dramatist Ben Jonson, were busy working on the Shakespeare First Folio which was then making its way through the Jaggard printing house.

On its publication in November 1623, it carried a dedication to the Grand Master of England William Herbert, Earl of Pembroke and his brother Philip Herbert, Earl of Montgomery.

It was only a little over a year after the publication of his Shakespeare First Folio that Bacon started preparing for his final Last Will and Testament.

After consultations with those close to him and dealing with some practical arrangements he commenced the formal process of making a will on 23 May 1625 of such detail and complexity that it was not completed until six months later in the December. In an earlier draft of his will the lawyer Edward Herbert (a cousin of the poet George Herbert a contributor to the Memoriae and the Herbert brothers to whom Bacon dedicated the Shakespeare First Folio) was charged with overseeing which of his manuscripts should be published and which should be suppressed. In the final document Bacon addresses himself to future ages followed by some very pregnant instructions still shrouded in secrecy and unresolved to the present day. He bequeaths to the care of Bishop of London John Williams (a contributor to the Memoriae) his letters, speeches and other papers touching matters of state some of which Bacon did not want published but nevertheless wished them to be kept in private hands in safe keeping. By this Bacon meant to use his own words of reserving part to a private succession, namely his Rosicrucian-Freemasonry Brotherhood, who down the centuries have very carefully watched over Bacon’s secret life and writings, including the manuscripts of his Shakespeare poems and plays. In his will he also desired his executors Sir John Constable and Sir William Boswell (a contributor to the Memoriae) to take into their possession all his papers in his cabinets, boxes, and presses, and to seal them up until they had the leisure to peruse them. In December 1625 his last will and testament was signed in the presence of his private secretary and Rosicrucian Brother Dr William Rawley, who had lived with Bacon for the last ten years of his life, who had access to the majority of his literary manuscripts, including the manuscripts of his Shakespeare plays, which were placed into his hands to be kept concealed from public view until his Rosicrucian-Freemasonry Brotherhood decide to reveal the hidden truth to posterity and the world.

In the months following Bacon’s death to the profane world his trusted Rosicrucian Brother Dr William Rawley gathered together and quietly issued a commemorative work in his honour entitled Memoriae honoratissimi Domini Francisci, Baronis de Verulamio, vice-comitis Sancti Albani sacrum.

This rare and still virtually unknown work contains thirty-two Latin verses in praise of Bacon, which his orthodox editors and biographers have simply glossed over, ignored, or suppressed, that portray Bacon as a secret supreme poet and dramatist, the writer of comedies and tragedies, under the pseudonym of Shakespeare.

The Shakespeare monument at Stratford-upon-Avon secretly commissioned by Bacon to which the Memoriae is inextricably linked is replete with Rosicrucian-Freemasonry symbolism serving as a memorial to Francis Bacon our secret Shakespeare.

It knowingly echoes verses in the Memoriae, and as with the Shakespeare First Folio that is dedicated to the Grand Master of England, it is replete with Baconian-Rosicrucian-Freemasonic symbolism and cryptic devices, which read and deciphered repeatedly reveal and confirm that Bacon is Shakespeare.

Several centuries later the English translations of the Memoriae containing the 32 Latin verses portraying Bacon as Shakespeare are here made readily available and accessible for the first time, enabling Bacon and Shakespeare scholars, all interested students of English literature and the rest of the world, to read for themselves a work revealing the secret of the true authorship of the Shakespeare works, one kept from them for the last four hundred years.

Full paper: The_Secret_Links_Between_the_Rosicrucian.pdf

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Latin verses confirm Francis Bacon as our Secret Shakespeare

Secret Bacon-Shakespeare Links – Bacon Verses, Shakespeare First Folio & The Stratford Monument